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Commentary on The 49th San Francisco International Film Festival, April 20 – May 4, 2006 Sólo Dios sabe (Only God Knows), Mexico/Brazil . Directed by Carlos Bolado . Into Great Silence (Die Grosse Stille), Germany . Screenplay by Philip Groening . Directed by Philip Groening . The Silent Holy Stones, China . Screenplay by Wanma-caidan . Directed by Wanma-caidan . The Giant Buddhas, Switzerland . Directed by Christian Frei . Jonestown: The Life and Death of Peoples Temple, USA . Directed by Stanley Nelson . One Long Winter Without Fire (Tout un hiver sans feu), Switzerland/Belgium . Screenplay by Pierre-Pascal Rossi . Directed by Greg Zglinski . Clouds of Yesterday (Utsukushiki Tennen), Japan . Screenplay by Takushi Tsubokawa , Directed by Takushi Tsubokawa . Illumination, France . Screenplay by Pascale Breton . Directed by Pascale Breton . Sa-Kwa, South Korea . Screenplay by Kang Yi-Kwan . Directed by Kang Yi-Kwan . The Descent, England . Screenplay by Neil Marshall . Directed by Neil Marshall . The Bridge, USA . Directed by Eric Steel . Favela Rising, Brazil/USA . Co-directed by Jeff Zimbalist and Matt Mochary . Workingman's Death, Austria/Germany . Screenplay by Michael Glawogger . Directed by Michael Glawogger . Iraq in Fragments, USA . Directed by James Longley . The Dignity of the Nobodies (La Dignidado de los nadies), Argentina . Screenplay by Fernando E. Solanos . Directed by Fernando E. Solanos .Rountree, Cathleen
‘It’s literature I want, Ivo, literature!’ Literature as screenplay as literature. Or, how to win a literary prize writing a screenplayGeerts, Ronald
Some thoughts on analysing the screenplay, the process of screenplay writing and the balance between craft and creativityNelmes, Jill
Prize essay: Ethical infractions: ethical issues in the cinematic screenplay of the feature films The Insider and Roger & MeCatherine Barlow
The Lion Hunters. Direction, screenplay and narration by JEAN ROUGH. Produced by Pierre Braunberger. 16mm, color, optical sound (French with English subtitles), 68 minutesT. O. BEIDELMAN
The pricing of soft and hard information: economic lessons from screenplay salesWilliam N. Goetzmann, S. Abraham Ravid, Ronald Sverdlove
Arte y seudoarte: patrones de ironía en las novelas y guiones de Ruth Prawer Jhabvala / Art and Pseudo-Art: Patterns of Irony in the Novels and Screenplays of Ruth Prawer JhabvalaMarta Frago
Film Beginnings || In Search of "Screenplay": Terminological Traces in the Library off Congress Catalog of Copyright Entries: Cumulative Series, 1912–20Steven Maras
Review:Analysing the Screenplay;The Cinema of Preston Sturges: A Critical StudyReview by: Jeff Jaeckle
GOOD BANDITS, WARRIOR WOMEN, AND REVOLUTIONARIES IN HISPANIC CULTURE || "Por camino torcido": LIMINAL IDENTITIES IN THE NOVEL, SCREENPLAY, AND FILM VERSIONS OF "LA NEGRA ANGUSTIAS"Laura Kanost
A View from the Stockyards: Lorraine Hansberry's Allusion to The Jungle in the Unfilmed Screenplay of A Raisin in the SunTritt, Michael
The Screenplay as Postmodern Literary Exemplar: Authorial Distraction, Disappearance, DissolutionKohn, N.
Reviews : Geoff King and Tania Krzywinska (eds), ScreenPlay: cinema/videogames/inferfaces (London: Wallflower Press, 2002), 230pp. ISBN 1-903364-23-XWilson, J. A.
Darkening Ethan: John Ford's "The Searchers" (1956) from Novel to Screenplay to ScreenArthur M. Eckstein
The Wind that Shakes the Barley. Sixteen Filmsby Ken Loach;The Wind that Shakes the Barley: A Screenplay by Paul LavertyReview by: John Newsinger
Inside Out (Pixar/Disney, June 2015, directed by Pete Docter, screenplay by Pete Docter, Meg LeFauvre, Josh Cooley)King, J.
Black Women's Culture Issue || Echoes from the Past: Screenplays of the African American ExperienceReview by: John Williams
International Cinema of the 1910s || Appendix: "The Glory of Life" Screenplay TranslationJoanne Bernardi
Screenplays of Michelangelo Antonioni (Il Grido, L'Avventura, La Notte, L'Eclisse)Review by: Ernest Callenbach
Grieving, Therapy, Cinema and Kieslowski's Trois Couleurs: Bleu Trois Couleurs: Bleu . Screenplay by Krzysztof Kieslowski . Directed by Krzysztof Kieslowski .Izod, John, Dovalis, Joanna
[IEEE Second International Workshop on Semantic Media Adaptation and Personalization (SMAP 2007) - Uxbridge, Middlesex, UK (2007.12.17-2007.12.18)] Second International Workshop on Semantic Media Adaptation and Personalization (SMAP 2007) - Scriptclud.com: Content Clouds for ScreenplaysMcKie, Stewart
The Friendly Persuasion (1956) Screenplay Controversy: Michael Wilson, Jessamyn West, and the Hollywood blacklistDmohowski, Joseph
Book Review: Brokeback Mountain. Produced by James Schamus; directed by Ang Lee; screenplay by Larry McMurtry and Diana Ossana, based on the short story by Annie ProulxRodriguez, N.
Book Review: ScreenPlay: Children and Computing in the Home, Cyberkids: Children in the Information AgeWillett, R.
[ACM Press Proceeding of the 2nd ACM international workshop - Vancouver, British Columbia, Canada (2008.10.31-2008.10.31)] Proceeding of the 2nd ACM international workshop on Story representation, mechanism and context - SRMC '08 - Using screenplays as a source of context dataChoujaa, Driss, Dulay, Naranker
The Rigors of Necessity: João Cabral de Melo Neto, 1992 Neustadt Prize Laureate || London Kills Me: Three Screenplays and Four Essaysby Hanif KureishiReview by: Reed Way Dasenbrock
THE SCREENPLAY WORKBOOK: THE WRITING BEFORE THE WRITINGby Jeremy Robinson; Tom MungovanReview by: LASZLO FULOP
Tears of Sadness, Tears of Joy: Emotional Expression and “The Curious Case of Benjamin Button” The Curious Case of Benjamin Button . Directed by David Fincher . Screenplay by Eric Roth . Produced by Kathleen Kennedy , Frank Marshall , and Ceán Chaffin . Paramount Pictures Corporation and Warner Bros. Entertainment Inc., 2008. 165 min.Efran, Jay S., Smith, Patrick M.